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		<title>imported&gt;WaybackImport: Imported from Wayback via edit</title>
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		<summary type="html">&lt;p&gt;Imported from Wayback via edit&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Who&amp;amp;rsquo;s On First? ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Where files live, sync, and play&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Unlike [https://docs.google.com/spreadsheets/d/13NCYwEKh-VgJ_gdpAcQhNoa12TEg27An_scWyHYDC08/edit#gid=0 several other] automation systems, Rivendell &amp;amp;ldquo;&amp;#039;&amp;#039;owns&amp;#039;&amp;#039;&amp;amp;rdquo; its audio assets (aka audio files). With some of those other automation systems, one simply points the &amp;amp;ldquo;library manager&amp;amp;rdquo; (or player) to a folder full of audio files. Rivendell is different. You must first &amp;#039;&amp;#039;&amp;#039;import&amp;#039;&amp;#039;&amp;#039; the audio assets into the Rivendell Library. It works this way for several reasons:&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;audio quality&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: Rivendell [[wikipedia:Transcoding|transcodes]] your audio files into a professional-grade audio format; you [http://opsguide.rivendellaudio.org/html/sect.rdadmin.manage_hosts.html#sect.rdadmin.manage_hosts.configuring_rdlibrary set this format] on a &amp;amp;ldquo;per-host&amp;amp;rdquo; basis, then all audio files are converted to this format when you [http://opsguide.rivendellaudio.org/html/sect.rdlibrary.alternative_methods_of_audio_ingestion.html#sect2_rdlibrary_importing_audio_from_a_file import audio] (note, that, while it is unusual, you &amp;#039;&amp;#039;can&amp;#039;&amp;#039; have a Rivendell audio library containing files in different formats)&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;organization&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: importing audio assets affords you the opportunity to organize your library and make sure things like metadata are in proper order before putting an asset into production&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;work flow support&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: many stations have adopted a [[wikipedia:WorkFlow|work flow]] in which they import audio into a &amp;amp;ldquo;holding tank&amp;amp;rdquo;, or temporary category (&amp;#039;&amp;#039;&amp;#039;[http://opsguide.rivendellaudio.org/html/sect.rdadmin.manage_groups.html Group]&amp;#039;&amp;#039;&amp;#039; in Rivendell terms); this gives staff (volunteers) a chance to preview the audio (for things like explicit language), clean up the metadata, and set &amp;#039;&amp;#039;&amp;#039;[http://opsguide.rivendellaudio.org/html/sect.rdlibrary.library_maintenance.html#rdlibrary.editing_markers Markers]&amp;#039;&amp;#039;&amp;#039; (like segue points, talk points, fades, etc.) before placing the audio into production&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;data integrity&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: Rivendell keeps track of the integrity of the audio files by maintaining a [[wikipedia:SHA1|SHA1 Hash]] of all the audio files&amp;amp;lsquo; contents; this &amp;#039;&amp;#039;hash&amp;#039;&amp;#039; is stored in the Rivendell database&lt;br /&gt;
&lt;br /&gt;
=== Asset (Audio File) Storage ===&lt;br /&gt;
&lt;br /&gt;
Rivendell users (show hosts, traffic managers, music directors, etc.) don&amp;amp;rsquo;t really need to know this, but as a Rivendell administrator you should know where the audio files &amp;amp;ldquo;live&amp;amp;rdquo;. True to the Linux tradition of flexibility, the audio library can physically reside anywhere on your network. By default, Rivendell expects audio assets to reside in the folder (directory) &amp;#039;&amp;#039;&amp;#039;&amp;lt;code&amp;gt;/var/snd&amp;lt;/code&amp;gt;&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
This folder may represent a physical disk partition or a volume shared over your network (with any Linux-support network file system, like [[wikipedia:NFS|NFS]], [[wikipedia:CIFS|CIFS]], [[wikipedia:IPFS|IPFS]], etc.).&lt;br /&gt;
&lt;br /&gt;
(Temporary not by drew Roberts: I am fuzzy, but I think the safe bet is NFS. I think I recall seeing that CIFS/SMB can get you in trouble as it lacks abilities Rivendell uses. I don&amp;#039;t recall seeing IPFS mentioned in relation to Rivednell)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;(Temporary note by drew Roberts: I am fuzzy, but I think the safe bet is NFS. I think I recall seeing that CIFS/SMB can get you in trouble as it lacks abilities Rivendell uses. I don&amp;#039;t recall seeing IPFS mentioned in relation to Rivednell)&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
=== Metadata Storage ===&lt;br /&gt;
&lt;br /&gt;
Rivendell audio files &amp;#039;&amp;#039;&amp;#039;DO NOT&amp;#039;&amp;#039;&amp;#039; contain metadata. All the data &amp;#039;&amp;#039;about&amp;#039;&amp;#039; the audio tracks (e.g., title, album, composer, record label, etc.) is stored in the [http://opsguide.rivendellaudio.org/html/chapter.rdlibrary.html#sect2_rdlibrary_carts Rivendell database].&lt;br /&gt;
&lt;br /&gt;
[[Category:Cookbook]]&lt;br /&gt;
&lt;br /&gt;
This separation of metadata from the audio assets has consequences. &lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;consistent metadata editing&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: using the Library manager, it is simple and straight-forward to change metadata for individual tracks or groups of tracks&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;sharing with other apps&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: it is difficult, though not impossible to share the Rivendell audio library with other (non-Rivendell) audio applications. You will have to be comfortable with the idea that you have to use Rivendell in order to play a track in the Rivendell library&lt;br /&gt;
&lt;br /&gt;
=== Playing Audio ===&lt;br /&gt;
&lt;br /&gt;
Rivendell supports several ways to output your audio:&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;[http://opsguide.rivendellaudio.org/html/chapter.rdairplay.html#sect.rdairplay.overview RDAirPlay]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: this is the &amp;amp;ldquo;normal&amp;amp;rdquo; way to play audio; that is, it is the most common way to play Logs that have been prepared using [http://opsguide.rivendellaudio.org/html/chapter.rdlogmanager.html RDLogManager] or [http://opsguide.rivendellaudio.org/html/chapter.rdlogedit.html RDLogEdit] (the Rivendell playlist creation tools)&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;[http://opsguide.rivendellaudio.org/html/sect.rdcatch.automating_playouts.html RDCatch]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: allows you to programatically schedule playout of audio&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;[http://opsguide.rivendellaudio.org/html/chapter.rdcartslots.html RDCartSlots]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: similar to an old-fashioned [https://en.wikipedia.org/wiki/Fidelipac cart] [https://www.radioworld.com/tech-and-gear/be-cart-machines-the-first-and-the-last machine], this player enables you to stack up a bunch of tracks and play them one after the other&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;&amp;#039;RDPanel&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: a dedicated &amp;amp;ldquo;panel&amp;amp;rdquo; of buttons used to play specific tracks (or fire specific [http://opsguide.rivendellaudio.org/html/chapter.rml.html Macros])&lt;br /&gt;
&lt;br /&gt;
:* &amp;#039;&amp;#039;Advanced&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;#039;rdvairplay&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:: this is Rivendell&amp;amp;rsquo;s so-called &amp;amp;ldquo;headless&amp;amp;rdquo; player -- it is functionally equivalent to RDAirPlay, but has no graphical user interface with which to control the player; as of early 2020 this player is relatively new to the scene: while you can control some aspects of its operation more Macros are needed to fill out the control side of this player&lt;br /&gt;
&lt;/div&gt;</summary>
		<author><name>imported&gt;WaybackImport</name></author>
	</entry>
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